Art history essay examples

The unique term “Baroque” is a term which refers to the heightened sense of lighting and movement in compositions. The 17th century various artistic production in Europe falls under the respective term. “Caravaggio” for the first time produced these elements masterly in his work and paintings. He massively influenced European artists like “Rembrandt in Holland” and “Diego Velázquez” in Spain.

The friskiness of Baroque aesthetics mixed with the devoutness of the Catholic Counter-Reformation is prominent in, a project “St. Peter’s Basilica in the Vatican” was witnessed to completion by “Gian Lorenzo Bernini”. Embellished religious buildings in Mexico and Peru are the notable representation of the Baroque art which was transmitted through America.

In France, the century saw the solidification of power under absolute monarchy, whose degradation was exhibited in the construction of Louis XIV’s royal palace at Versailles. Another landmark was the establishment of the “French Royal Academy of Painting and Sculpture”.

The independence of the Dutch Republic was attained after 80 years of conflict from Spain. A well-to-do commercial class made the conditions for a dynamic craftsmanship advertise with an inclination for pictures, still lives, cityscapes, and scenes of regular day to day existence.

The Baroque, established in elegance however with another accentuation on emotionalism and naturalism, was the main style of the seventeenth century. The development showed both elaborate multifaceted nature and extraordinary decent variety in its topic, from extensive religious works and history sketches to pictures, scenes and scenes of everyday life.

“Caravaggio” is one of the renowned masters of the era, whose new and creative ideas in the dramatic uses of shadow and light had prominent effect on many of the century’s artists, particularly “Rembrandt”, a painter and sculptor, “Bernini”, an architect known for his combination of expressiveness and technical brilliance, including many other familiar names such as “Rubens, Vermeer, Poussin and Velázquez”.

This monarchical era including Spain’s “Habsburgs, Louis XIII and XIV” of France, who were famous for their artistic patronage that helped them furnish their opulent palaces. Side by side, a new era of commercialism also flourished. In this time period, artists increasingly catered to elite collectors of the professional and traders.

Two main features that became the characteristic of American colonial art were the establishment of a native group of artisan artists, and the influence of visiting artists from Europe commissioned by a few rich Americans to stay with and paint their families. The local American artists, though continued imitation of the European models, and marked their paintings with strong individualism represented by many lines and box-like dimensions within the paintings.

“The Portrait of Ebenezer Devotion” by “Winthrop Chandler” had a background of books in order to signify learning and to facilitate a strong element of design. These professional artists exhibited a number of services for the general public like glass-painting, gilding and portraiture. They were placed between fine and applied art that reflect the sound characteristic feature of American culture.

The visiting artists from Europe incorporated the pastelist, “Henrietta Johnston” delivered countless, tinted delicate oval pictures. She followed the painting style of Sir Godfrey Kneller. She illustrated many portraits of Huguenot families in addition to the Prioleaus, Bacots and du Boses. The collection of her paintings are displayed at the “New York State Museum”, the “Museum of Early Southern Decorative Arts”, the “Metropolitan Museum of Art” and the “Greenville County Museum of Art”.

“Copley” was trained in the non-literal authenticity of the colonial limners however he progressively implanted his representations with patriotic and enthusiastic feelings as in his popular “Portrait of Paul Revere”. West was all the more intentionally heroic and courageous in his style, yet like Copley immovably had faith in picking topic from contemporary occasions, for his history painting. West’s subjects went over a wide field, Biblical, Shakespearean, recorded and Classical topics, and he effectively urged American painters to expand their range.

John Trumbull set out on a progression of artistic creations which would remember the occasions that prompted the autonomy of the American colonies. Sketches which build up the convention of history painting built up by West and Copley, including Trumbull’s very own characteristics of streaming development and diminished diagrams. A proliferation of his composition Declaration of Independence showed up on the invert of the United States two-dollar greenback. Trumbull additionally painted various pictures, including those of General Washington, George Clinton and Alexander Hamilton. Different devotees of West focused on specific kinds of picture, for example, still lives and class painting.

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